Zine is a record, zine is an expression, zine is an extension of rave
| Text: mmr | Genre: Media culture/music archive | Theme: Zine as a preservation device for unrecorded culture |
A zine is a small piece of media that you can create yourself.Zines were as present in the rave scene as they were in the ’90s punk scene, the feminist movement, and skater culture.A rave is a celebration of the moment, and zines are a great way to remember and share it with others.
Enthusiasm burned into paper
The vibrations of my body that I felt on the club floor.An illegal rave that lasted until morning in a forest on the outskirts of the city.A wordless resonance exchanged in the infrared light surrounded by smoke.
They are often not recorded.It is not reported in the media and is not recorded in history.
However, a DIY media called ``Zine’’ is currently attracting attention as a means of picking up the fragments and retelling the story.
A zine is not a magazine, diary, or report.However, it is closer to the “voices of the people involved” than any of these.In the rave culture, which inherently resists recording, zines have the potential to serve as ``memory aids.’’
The problem of lack of rave records
Rave is a musical culture that emphasizes the experience of the here and now, and its nature makes it incompatible with media recording.
| Reasons why it is difficult to record | Contents |
|---|---|
| Taboos on photography and recording were particularly strong at underground raves in the 1990s, and equipment was often prohibited from being brought in | |
| Illegality/Anonymity | No records are kept to avoid detection by the police or government |
| Transient | Events on the floor disappear for a moment |
Thus, the ``true image’’ of many raves does not remain.The lack of sound sources, images, and records threatens to disrupt cultural inheritance.
What is a Zine?: Alternative records created by individuals
Zine is an abbreviation for “Magazine” and is an independent publication that anyone can create freely.It is a cultural entity that does not rely on printing technology or the Web, but instead relies solely on paper and copy machines.
Features of Zine
- Trinitarian structure of editor = reader = stakeholder
- Free formats such as handwriting, cutting and pasting, collage, etc.
- Any theme (music, politics, gender, personal experiences, essays, etc.)
- A means for “recording and sharing” that has nothing to do with commercialism
Zine and rave affinity
Zines can be a ``means for reconstructing the experience’’ of unrecorded raves.
Specific example
| Method | Contents that can be recorded |
|---|---|
| Reposting the flyer | Preserving the visual culture of the time |
| Essay on the scene | Verbalize the mood and atmosphere of the scene |
| Set list record | DJ name, song order, flow of the scene |
| Sharing dangers and anecdotes | Drug experiences, check avoidance, and social tension |
Examples: Rave Zines around the world
(Germany)"] B --> B2["Rave Flyer Archives
(UK)"]
| Region | Zine name | Features |
|---|---|---|
| Germany | Datacide | Critical rave zine with psychocore, breakcore, and political context |
| UK | Rave Flyer Archives | 90’s flyer + personal essay |
In the age of digital, why keep things on paper?
| Features | Digital | Paper (Zine) |
|---|---|---|
| May disappear | May disappear due to broken link or deletion | Will remain in your possession semi-permanently |
| Copy | Infinite copying possible | Limited physical copy = presence as “evidence” |
| Share | Instantly share with a click | Hand delivery/mailing = physical ritual involved |
| Easy to send messages | Anyone can easily send messages | Efforts to make = concentration of the creator’s thoughts |
Just as rave was a “physical experience,” zine is also a “physical medium.”
Rave Archive
Founded in 2007, Rave Archive is an archive that preserves and shares memories of rave culture in the 90s.From the perspective of a raver and an archivist, I will pass on a culture that tends to disappear to future generations.
Old School Rave Flyer Archives from 1989-2000 from across the US and Canada
Oldschool Rave Flyer archive 1989-2000+ from all over the US & Canada
By Ernie Villalobos
Conclusion: Zines are the key to inheriting the culture that could not be recorded
Zines are neither commercial nor public records.However, because of this, it is possible to preserve ``moments that no one else would have recorded.’‘It is a diary, a report, a testimony, and a love letter.
As much of rave culture is lost, the memories left behind in the form of zines will become valuable fragments for future generations of listeners and dancers to rediscover the contours of the culture.
Related columns
🔗 [Column] Rave and Media: Archiving unrecorded music culture