【コラム】 音楽メディアとしてのカセットテープ:変遷・種類・周波数特性

Column en 70s 80s 90s Cassette
【コラム】 音楽メディアとしてのカセットテープ:変遷・種類・周波数特性

Media that preserves memories, not records

Text: mmr|Theme: Cassette tape, a supporting role in analog music recording


Portable music revolution in the analog era

The cassette tape (Compact Cassette) was developed by Philips in 1963 and became popular throughout the world as one of the leading music media from the 1970s to the 1990s.

  • The advent of portable players (Walkmans)

  • Easy home recording

  • Formation of a culture of personal ownership and exchange of music

Based on this cultural background, cassette tapes became a major platform for analog music.


Historical history of cassette tapes


1963: Invention by Phillips

The first compact cassette was introduced for monaural recording.


1970s: The beginning of stereo recording and high quality sound

  • Popularization of stereo compatible heads

  • Standardization of normal (Type I) tape

  • With the spread of portable decks, the ``Walkman’’ culture was born.

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1980s: The emergence of high position (Type II) and metal (Type IV)

  • Improvement of tape material to improve sound quality

  • Improved treble characteristics and expanded dynamic range

  • Increased adoption in high-end audio equipment

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1990s: Decline due to the spread of CDs

However, it continued to be used deeply by some audiophiles, DIY recording culture, hip-hop and indie scenes.


Types of cassette tapes and their characteristics

Cassette tapes are mainly classified into four types:


List

Type Types of magnetic materials Features Typical uses
Type I (normal) Iron oxide (Fe2O3) Well-balanced sound quality, but slightly inferior treble range General music recording, voice recording
Type II (Chrome) Chromium oxide (CrO2) Excellent treble characteristics and good noise reduction High quality recording for music playback
Type III (ferrichrome) Ferrichrome mixture Intermediate properties between normal and chrome Currently discontinued
Type IV (metal) Metal particles (metal) Boasts the best magnetic properties and high S/N ratio For high-end audio, used for professional recording


Frequency characteristics and sound quality of cassette tapes


Basic frequency characteristics

Normal tape frequency band is approximately 30Hz to 12kHz

Approximately 20Hz to 15kHz with chrome tape

Metal tape can be expanded to approximately 20Hz to 18kHz


Recording head and equalizing

  • Recording and playback equalization according to IEC standards differs depending on tape type.

  • Realizes high frequency extension with high frequency amplification circuit (ferrite head, etc.)

  • Optimize bias signal (high frequency magnetic vibration) to reduce distortion and noise


Dynamic range and S/N ratio

Normal type: S/N ratio of approximately 50-55dB

Chrome type: Approximately 60dB

Metal type: Performance approaching approximately 70dB


Advantages and disadvantages of cassette tapes


Advantages

  • Portable and easy to handle

  • Self-recording and editing possible

  • Easy music experience thanks to the spread of cassette players

  • Warm sound quality unique to analog


Disadvantages

  • Sound quality deteriorates due to tape wear and is a consumable item.

  • Sound quality fluctuates due to head dirt and equipment adjustments

  • No need to rewind or fast forward the tape

  • Inferior in frequency band and S/N ratio compared to CDs and digital sound sources


Contemporary significance of cassette tape culture

In recent years, cassette tapes have been reevaluated due to the return to analog and the resurgence of retro culture.

  • Demand as an indie and hip-hop release format

  • Original recording experience and the charm of physical media

  • For DIY use of recording equipment and audiophile collection.


summary

Cassette tape is a format that is both convenient and analog-like, occupying an important position in the history of music media.

With the improvement of materials and the development of recording technology, the sound quality has also evolved, and each type has different acoustic characteristics.

Although it is not as good as digital in terms of frequency band and S/N ratio, it continues to be loved for its warm tone and ease of operation.


List

Artist Title era Genre Comments
No Artist Environments 1970s Field recording/healing Healing soundscape that captures the natural environment
The Art of Noise In No Sense Nonsense 1987 Leftfield synth pop Art pop x experimental, unique synth creation
Kiss Rock And Roll Over 1976 70s hard rock Japan's first edition cassette, cool vintage
Amany & The Badawist Come on, Bassem 1996 Tribal/World Music Middle Eastern/African tribal sounds
Thomas Newman Scent Of A Woman 1992 Movie soundtrack Original score tape for classic movies
Adam Clayton & Larry Mullen Theme From Mission: Impossible 1996 Movie theme song Official tape of the movie "Mission Impossible"
Dieselboy The Director’s Cut 1998 Drum n Bass Intense mix by American drum and bass DJ
Various The Enjoy! Story 1988 Classic hip hop Compilation from the early days of the Zulu Nation era
Run‑D.M.C. King Of Rock 1985 Hip-hop/rock fusion Pioneering popular rock and rap work
Dr. Dre Let Me Ride 1992 Classic hip-hop/G-funk Representative songs of the West Coast sound
Monumental Movement Records

Monumental Movement Records

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