The intersection of Japanese underground rock and noise from the 90s to 2000s
Text: mmr|Theme: Global attention on the Japanese underground music scene from the 1990s to the 2000s
The 1990s and 2000s were the heyday of noise music and also served as a crossroads with alternative rock and avant-garde punk. In particular, artists such as Keiji Haino, Merzbow, Hijikaido, Melt-Banana, Boredoms, and Violent Onsen Geisha destroyed existing musical genres and opened up new areas of expression.
Japanese underground craze
Fushitsusha led by Keiji Haino, Masami Akita’sMerzbow, Ai Yamazuka and Seiichi Yamamoto’s BOREDOMS, Incapacitors and Violence Onsen Geisha broke the boundaries of conventional rock and punk, creating a sonic world that combined noise and experimental spirit.
This period also saw the rise of indie labels, appearances at international festivals, and accelerated interactions with the American and European underground.Furthermore, cutting-edge activities were developed that influenced film and soundtrack production, as well as later AI music generation.
Scene features
- Keiji Haino: “Ritual of sound” through feedback and improvisation.
- Merzbau: While moving from analog equipment to laptop noise, it reflects animal rights and vegetarianism.
- Firefighter: An existence that blurs the line between “noise band” and “performance art.”
- Boredoms: Fusing psychedelic and noise, influencing the American alternative scene.
- Melt-Banana: “Nano Core” combines the speed of hardcore and the texture of noise.
Characteristics, changes, and anecdotes of each band
Keiji Haino
- Features: A “sound ritual” that makes full use of guitar, vocals, and feedback.A sound world centered on improvisation that can be described as religious or magical.
- Change: From solo works in the 1970s to active in bands such as Fushitsusha since the 1990s.Continuing to explore beyond the framework of improvisation.
- Anecdote: He is known as the “sound shaman” because he changes all the strings on his guitar before a concert and releases the sound as if in a ritual.
| Album | Features | Links |
|---|---|---|
| Watashi Dake? (1981/Reissue 1998) | Early masterpiece.Solitary singing voice and guitar noise expression | Amazon |
| Fushitsusha – A Death Never To Be Complete (1997) | A sea of overwhelming improvisation and feedback | Amazon |
Merzbow
- Characteristics: Synonymous with “noise music”.From the chaotic roar of analog equipment, he transitioned to laptops in the late 1990s.
- Changes: Internationally acclaimed with cassette tape works in the 80’s and CD releases in the 90’s.In the 2000s, he incorporated “environmental protection” and “animal rights” into his music.
- Anecdote: The album
Pulse Demon'' is calledthe most unlistenable album’’ overseas, and is considered a monumental piece of noise.
| Album | Features | Links |
|---|---|---|
| Venereology (1994) | Noise + death metal elements.Extreme Extreme | Amazon |
| Pulse Demon (1996) | A definitive collection of harsh noise.An overwhelming work with a sustained metallic roar | Amazon |
| Merzbeat (2002) | A fusion of 4/4 beat and noise.A unique work with a club-like feel | Amazon |
Emergency stairs
- Features: The world’s first “noise band”.In addition to noise performances, they became legendary for their extreme performances (food throwing, sparks, naked dancing).
- Changes: Started their activities in the 80’s, and recorded mainly live albums in the 90’s.Since the 2000s, he has developed experimental activities such as co-starring with idols.
- Anecdote: The act of ``butchering a chicken’’ during a live performance sparked a huge discussion in overseas media and was treated as a social scandal.
| Album | Features | Links |
|---|---|---|
| Zoroku’s Strange Disease (1980) | Records of early violent noise | Amazon |
| Noise Densetsu (2014) | All members of Merzbau and Incapacitors participate, session sound source with Hijikaido | Amazon |
Boredoms
- Characteristics: A fusion of noise, psychedelic, and hardcore.A band that combines artistry and chaos.
- Transition: In the early days, they were noise punk, but in the 90’s they became more polyrhythmic and psychedelic with
Super æ'' andVision Creation Newsun’’. - Anecdote: “77 Boadrum” was held in Brooklyn, NY on July 7, 2007.A legendary event that will conduct 77 drummers.
| Album | Features | Links |
|---|---|---|
| Pop Tatari (1991) | An insane fusion of noise and hardcore | Amazon |
| Super æ (1998) | A psychedelic polyrhythmic masterpiece | Amazon |
| Vision Creation Newsun (1999) | Spiritual and psychedelic sound image | Amazon |
Melt-Banana
- Features: Super fast hardcore + noise.Vocalist Yasuko O. is characterized by her cute and cutting voice.
- Changes: Formed in the early 90’s, expanded overseas with support from Steve Albini.In the 2000s, the sound changed to a more electronic and structural sound.
- Anecdote: They received rave reviews from John Zorn during their overseas tour, and gained cult popularity as ``Japan’s fastest band’’ in the American alternative scene.
| Album | Features | Links |
|---|---|---|
| Speak Squeak Creak (1994) | Early masterpiece.Explosive speed nanocore | Amazon |
| Charlie (1998) | A mid-period masterpiece with a well-structured and improved musicality | Amazon |
| Cell-Scape (2003) | A new frontier that introduces electro elements | Amazon |
Recommended albums by generation
| Era | Artist/Album | Features | Links |
|---|---|---|---|
| 1991 | Boredoms – Pop Tatari | A crazy fusion of avant-garde noise and rock | Amazon |
| 1994 | Melt-Banana – Speak Squeak Creak | Early masterpiece.Explosive speed nano core | Amazon |
| 1996 | Merzbow – Pulse Demon | The pinnacle of harsh noise.The most important work before laptops | Amazon |
| 1998 | Keiji Haino – Watashi Dake? (Reissue) | Recorded in the 70s but re-evaluated since the 90s | Amazon |
| 2017 | Emergency Staircase – Destroy Noise Symphony | A collection of performance noise | Amazon |
Scene correlation diagram
FAQ — About the Japanese underground noise scene
Q1: How did the scene change between the 90s and 2000s?
A1: The 1990s was a time of an explosion of innovative experiments, and the 2000s was a time of reappraisal and reissues from overseas.
Q2: Which works would you recommend for beginners to listen to?
A2: Boredoms’ Super æ and Merzbow’s Merzbeat are relatively easy to get into.
Q3: How did noise and rock come together?
A3: With the influence of psychedelics and punk, a new expression has been born that combines roaring sounds and improvisation.
Q4: How does it relate to soundtrack production and AI music generation?
A4: Experimental sound gives a unique sense of tension to the video work, and presents a structure that can be applied to AI-generated music research.
summary
Japanese underground rock and noise from the 1990s to the 2000s was not just a musical genre, but a cultural testing ground.Keiji Haino’s ceremonial performance, Merzbow’s technological evolution, Hijikadan’s destructive performance, Melt-Banana’s driving sensation, and Boredoms’ psychedelic noise fusion are unique expressions that will remain in the history of world music.
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