What was 90s Euro music?──A feast of dance floors and melodies
Text: mmr|Theme: The whole picture of Euro music culture in the 90s
What is the true identity of the music called Euro?
The Euro Music'' of the 1990s was not a specific genre, but rather a general term for popular dance-pop music that developed mainly in continental Europe.
The most iconic of these wereEurobeat’’ and ``Eurodance,’’ but other genres such as Eurotrance, high energy, and synth pop were also running at the same time.
In other words, the Euro of the 1990s was the ``pop image of modern Europe’’ that fused party culture, dance music, catchy melodies, and technology.
Main genre classification and characteristics
| Genre | Features | Representative artist |
|---|---|---|
| Euro dance | Four beat, rap + female vocals, flashy melody | 2 Unlimited / La Bouche |
| Eurobeat | High-speed BPM, mainly synthesizer, mainly produced in Italy, popular in Japan | Dave Rodgers / Domino |
| Eurotrans | Simplified version of trance, melodious, pop-oriented | DJ Quicksilver / Sash! |
| High energy | Gay club origins, flashy beats, continued from the late 1980s | Patrick Cowley / Hazell Dean |
| Italo Dance | Dance pop from Italy, fusion with Eurodance | Eiffel 65 / Prezioso |
| Europop | Mainly pop music, with R&B and Latin elements introduced | Ace of Base / Roxette |
Common language between Europe and pop after the Cold War
After the fall of the Berlin Wall in 1989, Europe rapidly transformed into a cross-border entertainment market.”Euro-pop sung in English” began to enter the international market even from non-English-speaking countries (such as Germany, the Netherlands, Italy, and Sweden).
This means that Euromusic is a musical culture that prioritizes sensory pleasure over political boundaries.Rhythm, synths, and a simple, repeatable chorus.These have become a “common language” that transcends languages and borders.
Mainstream success stories (1990-1999)
● 2 Unlimited – “Get Ready For This” (1991)
From the Netherlands.“Eurodance anthem” is often used at sports venues and commercials.
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● Ace of Base – “The Sign” (1993)
Swedish pop group.Ranked #1 on Billboard Hot 100 for 100 years.
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● Corona – “Rhythm of the Night” (1994)
Made in Italy.It was also a hit in the Latin American market, demonstrating Eurodance’s versatility.
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● Eiffel 65 – “Blue (Da Ba Dee)” (1999)
A masterpiece of Italo Dance.A fusion of digital voice and melody.
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90’s sound distribution
● CD Maxi Single Culture
Multiple remixes and B-sides are included in one song, making it suitable for both clubs and homes.
●MTV Europe
A base for “visual dance culture” that sells video and music as a set.
● Super Eurobeat (Japan)
A series developed independently in Japan by Avex.Also linked to Initial D culture.
●Reimported disc produced in Europe and distributed in Japan
Produced in Italy and Germany, planned in Japan, domestic CD (e.g. MAHARAJA NIGHT)
Acceptance of the 90’s Euro in Japan
Eurobeat: Original development by avex
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Impact on TRF, globe, and Komuro family.
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At the core of Initial D and Parapara culture.
Eurodance: Disco-J-Pop hybrid
- Japanese groups such as MAX and V6 have released many covers.
Fusion with visual culture: Non-Western Euro culture
- It was also incorporated into anime OPs and game BGM, creating a “non-Western Euro culture.”
Why did the critics ignore it?──”Lightness” and “Anti-Art”
Euro music was not well received by critics for a long time.The reason is as follows:
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Simple structure, shallow lyrics (often nonsensical)
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Mass production/anonymity (the presence of specific artists is weak)
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Commercial success = disregard for artistry
However, on the other hand, it also proves that music can reach anyone.
Reappraisal and Revival: The Situation in the 2020s and Beyond
In recent years, Euromusic has been reevaluated in the following ways:
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Euro dance as the origin of Hyperpop and Y2K sounds
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90s return (Post-Eurodance) in the club scene
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Like City Pop, Eurobeat from Japan was rediscovered by the internet generation.
Additionally, 90’s Euro is reaching a new audience with increased playback on Spotify and YouTube.
Euro music was “pleasure without borders”
Euro music in the 1990s was a phenomenon that turned dance, pleasure, and melody into an international language, not lyrics or politics. That lightness became a weapon that allowed him to transcend genre boundaries and values.
Now, once again, the “naive heat” of the Euro may be asking us a question that transcends genres and generations.
Is it nostalgia or newness for you?
List
| Artist | Title | Format | Age/Characteristics |
|---|---|---|---|
| Rednex | Cotton Eye Joe | 12″ | Swedish euro house/synth pop |
| Masterboy | Different Dreams | CD | 1994 German Eurodance Masterpiece |
| VA | Maharaja Top 20 Vol.III | CD | 90s not for sale compilation |
| Various | Overnight Remixes II | Vinyl | 90s famous track compilation |
| MDC‑X‑Static | You And Me | Vinyl | 90s Club Hit EP |
| Ziggy | No Police (Aztec Remix) | Vinyl | 90s Eurobeat/Hi-NRG Rare Edition |
| Dr. Baker | Kaos | Vinyl | 1990 UK release/Euro House |
| Tam Arrow | One Shot Girl | Vinyl | Made in Italy 2001 Euro Beat EP |
| Dao Dezi | La Jument De Mishao | 12″ | ’94 deep Euro house release |
| E-Rotic | Sexual Madness | CD | 1997 hit “Turn Me On” included |
| E-Rotic | Willy Use A Billy... Boy | Vinyl | 90s classic single |