[Column] Why do wealthy people around the world choose ambient music?
Column en Ambient Apple Meditation![[Column] Why do wealthy people around the world choose ambient music?](/../assets/images/column-ambient-music-wealthy.webp)
A time when silence became the most luxurious
| Text: mmr | Theme: Understanding why ambient music is supported by wealthy people, technology companies, luxury hotels, and design brands around the world from the perspectives of music history, brain science, design philosophy, and modern society. |
We spend most of our day with “sound.”
I wake up in the morning with an alarm on my smartphone, and hear train announcements while commuting. Notifications keep ringing in the office, and short videos and advertisements keep popping up on social media. Even after returning home, the information that can be heard and seen through video streaming services, games, news apps, etc. is continuous.
Looking back at human history, there has never been a time when we were surrounded by so much information and sound.
While the Internet has made our lives more convenient, it has also created a society that demands constant attention. Respond when notifications ring, reply when messages arrive, and keep up with new information. The brain continues to work without rest.
In this environment, unexpected genres are increasing their presence around the world.
That is ambient music.
This music, which was once often talked about as a branch of experimental music or contemporary music, is now the music of choice in every aspect of daily life, including work, study, sleep, reading, and meditation.
特に音楽ストリーミングサービスの普及は、この流れを大きく後押しした。
Categories such as “Focus,” “Sleep,” “Relax,” and “Meditation” are standard in many services, with ambient and ambient music at their core. An increasing number of people around the world are using music not as something to listen to, but as something to organize their lives.
What is interesting is its support base.
Occupations that require a high degree of concentration, such as engineers, designers, creators, researchers, and investors working at IT companies, tend to choose quieter music.
Furthermore, in many luxury hotels, luxury spas, and luxury brand stores, ambient music that blends into the space is often played rather than loud pop music.
I wonder why?
Humans are stimulation-seeking creatures, but when they become overstimulated, they begin to seek environments that reduce stimulation.
In modern society, ““tranquility’’ is no longer something that comes naturally.
Cities are noisy, information is constantly flowing, and the lines between work and personal life are blurring. In this environment, quiet spaces and quiet time have become resources that can only be obtained consciously.
This change in the times is behind the popularity of ambient music.
It’s not the music itself that has changed.
The environment surrounding us has changed.
Silence is becoming one of the most scarce resources in modern society.
What is ambient?
When you hear the word “ambient,” many people may think of “music that makes you sleepy” or “healing music.”
However, true ambient has a broader meaning.
The English word “Ambient” means “surrounding” or “of the environment.”
In other words, ambient music is the idea of ”“music that constitutes the environment.’’
The person who spread this idea around the world was British musician Brian Eno.
"”Music for Airports’’, released in 1978, is still known as a representative work of ambient music.
This work was groundbreaking not only because of its beautiful melody.
In the album’s liner notes, Eno explains that he aimed for “music that could be ignored or listened to carefully.”
Conventional music was based on the premise of focusing attention on the performer.
At concerts, we stare at the stage, and at records we listen to songs.
But with ambient, it was the opposite.
The music does not come out to the front, but instead gently envelops the entire space.
It quietly changes the impression of a space without interfering with people’s actions.
Just like architecture, lighting, and furniture, sound is treated as part of spatial design.
Of course, this idea did not appear suddenly.
In the early 20th century, French composer Eric Satie proposed the concept of “furniture music.”
This music was not intended for people to listen to performances, but to integrate into people’s daily lives.
Furthermore, in 1952, John Cage released 4 minutes 33 seconds.
This work, in which the performers did not play a single note, posed the question to the world: ““What is music?’’
Rather than the silence itself, the work presented the environmental sounds present in the venue.
In the 1960s, minimal music by artists such as La Monte Young and Terry Riley appeared, and expressions that involved changing small amounts of material over long periods of time became widespread.
Inheriting these trends, Eno constructs new environmental music suitable for modern society.
Ambient music is by no means ““music where nothing happens.’’
The changes in sound are very gradual, but the purpose is clear.
Organize the space.
To slow down the flow of time.
Don”t interfere with people”s thoughts.
And it is about quietly working on the psychological state of the people there.
That’s why ambient has become accepted not only in concert halls, but also in airports, museums, hotels, offices, homes, and everywhere else.
That was the moment when his role expanded from ““music to listen to” to ““sounds that exist in our daily lives.”
Much of the quiet music we casually hear in cafes and hotels today is an extension of this idea.
Ambient music is by no means a genre born out of fashion.
It is a musical philosophy that has continued to question the relationship between people and space for more than half a century.
Ambient music did not aim to become the main character of music, but rather has developed as an entity that more naturally connects people and space.
The idea of ”environmental music” that Japan gave to the world
From the late 1970s to the 1980s, Japan was quietly cultivating a musical culture that was unique even in the world.
Its name is “environmental music.”
Currently, it is a highly acclaimed genre overseas called ““Japanese Ambient” or ““Kankyō Ongaku.”
What is interesting is that in Japan at the time, this music was not necessarily treated as avant-garde art.
Rather, it developed as music used in everyday life, such as urban development, architecture, commercial facilities, public spaces, and housing.
As Japan experienced rapid economic growth, new office buildings, department stores, museums, and hotels were constructed one after another.
People not only seek richness, but also begin to be interested in intangible values such as “comfort” and “comfort.”
What attracted attention was the idea of ”“designing a space using sound.’’
Architecture has light, furniture, and plants.
By adding “sound” to this, a spatial experience is completed.
Although this idea resonated with global design ideas rather than being unique to Japan, it permeated society in a very natural way in Japan.
It is believed that behind this is the aesthetic sense of ““margin” and ““ma” that has existed in Japanese culture since ancient times.
In gardens, space is more important than stones.
In a tea room, tranquility is valued over decoration.
In Noh and Gagaku, silence is also a part of expression.
It wasn’t just the music that was special.
Since ancient times, Japan has cultivated a culture in which ““nothing’’ is valued.
This aesthetic sense naturally connects with the environmental music of the 1980s.
Rather than being a new genre, Japanese environmental music was a translation of the sense of ““tranquility’’ that lived in Japanese culture into contemporary music.
Haruomi Hosono and “Music for Life”
Haruomi Hosono was one of the people who expanded the possibilities of environmental music in Japan in the 1980s.
Hosono, who has been active in a wide range of fields including rock, pop, electronic music, and ethnic music, viewed music not as a genre but as a culture itself.
Therefore, “space” always exists in his works.
Rather than insisting on a strong melody, their sound creation was characterized by a sense of scenery, atmosphere, and time itself.
In 1984, ““Watering a Flower’’ was produced.
This work is also an experiment in music production using the computer technology of the time, and is also known as a work that shows a new relationship between humans and technology.
Hosono has long expressed the attitude that there is no need to separate life and music.
Music isn’t just played on stage.
They exist both in homes and in cities, and are an integral part of people’s lives.
This way of thinking has a lot in common with Brian Eno’s ambient philosophy.
However, Hosono”s music strongly reflects Japan”s unique sense of calm and view of nature.
Even with electronic sounds, it doesn’t feel cold.
Although it is artificial, it retains an organic temperature.
This unique balance continues to influence musicians and producers around the world today.
In recent years, it has been rediscovered by younger generations through overseas record shops and distribution services, and has become a representative of the term “Japanese Ambient.”
What Haruomi Hosono envisioned was not new electronic music, but a future where sound would naturally blend into people’s lives.
“Soundscape” left behind by Hiroshi Yoshimura
Hiroshi Yoshimura is an indispensable presence when discussing Japanese environmental music.
Those who hear his work for the first time may be surprised at how quiet the world is.
There are no flashy developments.
There’s no strong beat.
There is no impressive rust.
Still, it strangely sticks with my ears and I don’t get tired even if I play it for a long time.
The reason for this is that Yoshimura thought of music as ““scenery’’.
His masterpiece ““Music for Nine Post Cards’’ depicts the quiet passage of time through short phrases and delicate electronic sounds.
There are no performances that strongly stir emotions.
Instead, there are sounds that remind us of the smallest changes in nature, such as light coming in through a window, trees swaying in the wind, and reflections on water.
Yoshimura did not try to explain the music.
This left room for the listener to feel the space freely.
This attitude is also reflected in the sound production at museums and galleries.
Rather than highlighting the work, it sets the tone for the entire space.
The sound becomes part of the atmosphere, not the main character.
This way of thinking is similar to current architectural acoustics and sound design.
Since the late 2010s, when his works have been reissued overseas, they have gained great support from younger generations of listeners.
Its popularity, which has spread through streaming services and video distribution, is not just a passing nostalgic hobby.
Precisely because we live in an age where there is so much information, the ““quiet margins”’ of Hiroshi Yoshimura”s music were accepted as having a fresh value.
More than 40 years later, the soundscapes drawn by Hiroshi Yoshimura still resonate quietly in the hearts of people living in a digital society.
Why “Japanese Ambient” has been reevaluated around the world
Although Japanese environmental music had gained a certain level of acclaim in Japan in the 1980s, its existence was not widely known around the world.
The turning point came in the late 2010s.
With the release of reissues and compilations by overseas record labels, Japanese environmental music rapidly began to attract attention among music fans in Europe and North America.
There is a reason behind this, not just the resurgence in popularity of analog records.
As remote work has spread around the world and people are spending more time at home, an increasing number of people are looking for music that helps them concentrate and music that fits their daily lives.
Instead of works that strongly move emotions like traditional pop music, there was a need for music that arranged the space itself.
Japanese environmental music fit perfectly into this.
Japanese works do not have excessive self-assertion.
The number of sounds is small, quiet, yet somehow warm.
It feels urban yet natural.
This exquisite sense of distance brought a fresh experience to many overseas listeners.
Furthermore, we have entered an era where works can be shared across borders through video distribution services and SNS.
Albums once known only to a few enthusiasts are now on the playlists of young creators, architects, designers, and programmers around the world.
In this way, Japanese environmental music has acquired a new meaning, not as ““Japanese culture of the 1980s,” but as ““music that supports modern lifestyles.”
Far from being outdated, quiet music has become even more valuable in today’s information-rich society.
The reason Japan’s environmental music spread around the world was not because it was a masterpiece of the past, but because modern society had finally caught up with its value.
Why does Apple design for “tranquility”?
Apple, one of the most influential companies in the world, is known for designing experiences, not just products.
The display and aluminum texture are not the only elements that shape the experience.
Lighting, architecture, materials, white space, and “sound” are also considered as important parts of design.
When you think of Apple’s product launches, you can clearly see its characteristics.
Loud rock and intense dance music rarely plays continuously.
Quiet electronic or minimalist sounds are often chosen to complement the images, and are designed to naturally draw attention to the product itself.
Apple Storeにも同じ思想がある。
An open architecture that makes extensive use of glass.
Simple furniture made of wood.
An exhibition that eliminates unnecessary decorations.
The music playing there does not dominate the space, but rather supports an environment where visitors can concentrate on the products.
This does not mean that ambient music itself is being played.
What is important is the idea of not pushing the sound to the forefront.
Since its founding, Apple has incorporated values close to the modern design philosophy of “less, but better” into its products.
Reduce unnecessary buttons.
複雑な操作を減らす。
Reduce the amount of information.
The design of the sound environment is an extension of this.
It has become difficult to differentiate modern digital devices through performance competition alone.
For this reason, emphasis has been placed on the overall quality of the space where people come into contact with products.
Silence is not just “silence.”
It is the very environment in which people can think, choose, and create with peace of mind.
Apple designs not only products, but also ““quiet experiences’’ that allow people to concentrate.
What MUJI was selling was “margin”
Many people feel calm when they walk into a MUJI store.
The reason for this cannot be explained by the product alone.
There are few flashy decorations in the store, the colors are muted, and lots of wood and natural materials are used.
The lighting is soft and the products are spaced well apart.
And quiet music that fills the entire space.
All of this is designed as one experience.
MUJI is not a brand that strongly urges you to buy this.
Rather, the focus is on providing an environment where users can calmly interact with the products themselves.
As a result, the music played inside the store tends to avoid assertiveness.
The selection includes folk music, natural sounds, acoustic instruments, and gentle, ambient songs to avoid rushing the shopping process.
This is more like a brand philosophy than a sales strategy.
MUJI’s value has always been ““not adding anything unnecessary.’’
Products, architecture, packaging, and advertising are all unified by this idea.
Music is not the only exception.
If sound becomes more present than necessary in a space, it becomes difficult to see the appeal of the product or the space itself.
That’s why quiet sounds are chosen.
This way of thinking is deeply connected to the Japanese aesthetic sense of ““ma.’’
It is because there is a blank space that people can regain their sense of self.
Because there is stillness, you notice even the smallest sounds and the texture of the materials.
MUJI doesn’t just offer furniture and miscellaneous goods.
It’s a time when you can calm down a little.
True wealth may not be about owning a lot, but about having an environment without unnecessary things.
The first thing luxury hotels design is “sound”
When it comes to luxury hotels, there is something more important than architecture and interior design.
That is the “sound environment.”
The moment you enter a hotel lobby, many people naturally lower their voices a little.
It’s not like anyone warned me.
The space itself encourages such behavior.
In luxury hotels, the height of the ceiling, the reflectivity of wall and floor materials, and the placement of furniture are all carefully calculated to suppress unnecessary echoes.
By adding gentle background music to this, a certain rhythm is created throughout the space.
The important thing is not to let people listen to the music.
The goal is to make noise less noticeable and ease people’s tension.
What if there was intense rock music playing in the lobby?
Or if there’s loud dance music blaring.
The luxurious feel of the space is lost in an instant.
That’s why many hotels choose music that sets the mood, such as piano music, ambient music, or quiet electronic music.
Just like fragrance and lighting, sound is also an ““invisible interior.’’
In recent years, an increasing number of hotels have placed emphasis on wellness and relaxation, and spas and lounges have begun to adopt quieter sound designs.
Guests are looking for more than just luxurious decorations.
It is a time to disconnect from the busy daily life and regain oneself.
To achieve this, the sound must not be too overpowering.
Quiet music gives a sense of security and time to the space.
What luxury hotels offer is not just a room, but an environment in which the mind can become calm.
Why a quiet space feels “luxury”
Interestingly, luxury brands and luxury spaces have one thing in common.
That is, ““the amount of information is small.’’
High-end boutiques rarely have products lined up tightly.
High-end restaurants have plenty of seating inside.
Luxury homes have large spaces, and soundproofing is also important.
What they have in common is a design that gives a sense of ““comfort’’.
The sound is the same.
In a quiet space, you can hear the sounds of footsteps, dishes, and even water flowing.
Conversely, in an environment where there is constant loud noise, people unconsciously accumulate fatigue.
This is not just a matter of preference.
The human brain has a tendency to pay attention to unnecessary stimuli.
The more sounds there are, the more energy the brain uses to process information.
That’s why a quiet space feels like a luxury.
In the past, wealth meant having a lot of things.
However, in modern times, we are overflowing with information and sounds.
As a result, “nothing” itself became a new value.
Silence is not just silence.
It is a space to think, a time to rest, and an environment in which to return one’s consciousness to oneself.
This is why ambient music has an affinity with luxury spaces.
This is not because of music, but because it provides the ““blank space’’ that modern people lack the most.
True luxury may not be luxury, but an environment where you can maintain tranquility.
“Music for concentration” spread in Silicon Valley
When considering the reasons why ambient music is supported, the presence of the technology industry cannot be overlooked.
At IT companies around the world, engineers, designers, and researchers engage in complex thinking for long hours.
Write a program.
Design algorithms.
Design your product.
Plan new services.
こうした仕事では、単純作業とは異なり、高い集中力を維持することが求められる。
Therefore, great attention has been paid to the sound environment during work.
There are conversations in the office, keyboard typing, and the phone ringing.
Open offices have become common in recent years, and surrounding noises often interfere with concentration.
Therefore, many people have started using headphones and earphones to create their own sound environment.
What is interesting is the music chosen for this occasion.
Of course, everyone has different tastes, but electronic music with few lyrics, ambient music, natural sounds, white noise, etc. are widely used as background music for work.
The reason is relatively simple.
When music has lyrics, the brain tries to process the meaning of the words.
Especially if you like a song, it’s easier to pay attention to the melody and lyrics.
On the other hand, ambient music does not aim to force one’s attention towards the music itself.
音は存在するが、前へ出過ぎない。
This makes it easier to return attention to the work that should be done.
It’s not that tech companies are promoting ambient.
However, it is an interesting phenomenon that quiet music has become widely used as intellectual workers search for their own optimal working environment.
This is a little different from the purpose of “enjoying music.”
It is about creating an environment that makes work more efficient.
In advanced intellectual work, productivity is determined by reducing unnecessary information rather than increasing information.
Modern people’s brains suffer from “stimulus fatigue”
Behind the popularity of ambient music is a change in the environment surrounding modern people’s brains.
Our brains have a limit to the amount of information they can process at once.
In psychology, this limited processing capacity is explained using concepts such as ““attentional resources” and ““working memory.”
What you see.
What you hear with your ears.
Smartphone notifications.
conversation.
picture.
advertisement.
All of this information is subject to processing by the brain.
しかも現代では、それらが同時に押し寄せる。
For example, while you’re at work, you receive an email, a chat ringer, and a notification appears on your smartphone.
Even though each stimulus is small, the accumulation of these stimuli causes the brain to constantly switch its attention.
この状態が長時間続くと、集中力が低下し、判断力や創造性にも影響を及ぼすことがさまざまな研究で指摘されてきた。
つまり、私たちが疲れているのは、身体だけではない。
The brain itself becomes fatigued due to stimulation.
In such situations, the quiet environment itself plays a restorative role.
By reducing stimulation, the brain does not have to process information as much as necessary.
Ambient music is used as one means to achieve this.
音が完全になくなると、周囲の物音が逆に気になる人もいる。
Therefore, by having a constant sound that spreads gently, small noises become less noticeable.
Ambient music is not music that increases stimulation, but music that conditions stimulation.
What modern people are looking for may not be new stimulation, but an environment where they can think in peace.
Ambient doesn”t stifle creativity
Creative work requires both concentration and creativity.
However, these two conditions are not necessarily the same.
Write a program.
Read the paper.
Organize materials.
In these tasks, it is important to keep your attention focused on one point.
On the other hand, when thinking about new ideas, the brain generates ideas by loosely linking multiple pieces of information.
For this reason, many creators find it easier to imagine having a moderate amount of environmental sound than ““complete silence.’’
Ambient music makes it easy to maintain this exquisite sense of distance.
It doesn’t tug at your thoughts with its strong rhythm, nor does it steal your attention with its lyrics.
Sound is present, but it blends naturally into the space.
This property is thought to be one of the reasons why it is supported by a variety of creative professions such as designers, architects, writers, and video editors.
Of course, it doesn’t have the same effect on everyone.
There are individual differences in how music is perceived.
However, the idea that ““a sound environment that suppresses stimulation helps people concentrate’’ has come to be shared in many intellectual labor settings.
In modern society, creativity does not come from special talent alone.
An environment where people can continue to think with peace of mind is also an important condition that supports creativity.
Great ideas are often born in quiet moments rather than in noisy places.
Why meditation and ambient intersect
Ambient music has become widely accepted around the world, partly due to the growing interest in meditation and mindfulness.
When you think of meditation, some people may think of a religious practice.
However, in recent years, it has increasingly been adopted as a form of self-care for the mind and body.
Turn your attention to your breathing.
Become aware of your thoughts and let them go.
Return your attention to the present moment.
A quiet environment is important for these practices.
With complete silence, the small sounds of daily life can be distracting.
Therefore, gently flowing ambient and natural sounds are often used as a background that does not interfere with concentration.
Music does not meditate.
However, it does play a role in softening stimuli coming in from the outside.
In this respect, too, ambient functions more as ““sound that conditions the environment” than ““music for listening.”
What’s interesting is that seemingly disparate activities such as meditation, concentration, sleep, reading, and yoga require similar music.
What they all had in common was that they did not overstimulate the brain.
In modern society, many services and products compete for people’s attention.
In this context, ambient exists not to steal attention, but to protect it.
This reversed way of thinking is the reason why ambient music continues to be supported even now, half a century later.
Ambient music is chosen not to stir emotions, but to quietly restore one’s sense of self.
In the Spotify era, ambient music has become “life music”
Music used to be something to enjoy by making time to listen to it.
Take the record off the shelf and put it on the player.
Take the CD out of the case and listen to the entire album.
Music was an object to be approached as a piece of work.
However, with the spread of streaming services, that relationship has changed significantly.
Music can now be played anytime and anywhere, and it has become important not only ““what to listen to” but ““when and in what situations to listen to it.”
その変化を象徴しているのが、「Focus」「Deep Focus」「Peaceful Piano」「Sleep」「Meditation」「Relax」といったプレイリストである。
These are not organized around specific artists.
The purpose is to support daily life activities such as ““concentration,” ““sleep,” and ““calmness.’’
In other words, music’s role has expanded from just entertainment to a tool for organizing our lives.
Ambient music was extremely compatible with this change.
This is because music was originally created for the purpose of creating spaces and environments.
The streaming era can be said to have moved from an era of listening to a single song to an era of creating a space.
And at the center of it all was ambient.
This trend is not a temporary fad.
Interest in ambient music has also been boosted by the growing need to set up the home as a work or study space as people work from home and learn online.
Work, study, read, sleep.
The idea of choosing the optimal sound environment for every aspect of life is spreading around the world.
Ambient music is changing from music to be enjoyed to infrastructure that supports our daily lives.
What wealthy people want is “quiet time”
ここで、記事のタイトルへ戻ろう。
“Why do wealthy people around the world listen to ambient music?”
Of course, not all wealthy people prefer ambient music.
Such generalizations are not true.
However, there is certainly a trend in luxury hotels, luxury homes, luxury brands, wellness facilities, high-end offices, etc., where quiet acoustic environments are becoming more important.
The reason is simple.
This is because the more affluent people become, the more they begin to value ““reducing unnecessary stimulation” rather than ““increasing stimulation.”
A quiet living environment is rare in the city.
A house with high soundproofing performance costs a lot of money.
Hotels and restaurants that aren’t crowded are kept quiet by high prices.
ノイズキャンセリングヘッドホンが広く普及したことも、「静けさ」が価値になった時代を象徴している。
Silence is not just a lack of sound.
It’s a space to think, a space to rest, and a space to face yourself.
That’s why brands, architects, hotels, and companies that design spaces treat ““tranquility’’ as an important value.
Ambient can be said to be a culture that expresses silence through sound.
There is no need for flashy melodies or strong rhythms.
This is because the purpose is to arrange the entire space calmly without interfering with people’s thoughts.
What is truly valuable may not be the luxurious sounds, but the quiet time where you can think in peace.
Music is moving into an era where we design the “environment” rather than the “ears”
Music in the 20th century developed through advances in performance and recording technology.
Bigger.
Faster.
More complicated.
More exciting.
This evolution has produced many masterpieces.
However, as society matures in the 21st century, what people want from music gradually changes.
There is more than enough information.
It’s full of stimulation.
As a result, people began to search for what they were missing.
That was the silence.
Ambient is not a genre that competes for musical presence.
Rather, it is music that blends into the space so naturally that one forgets oneself, and that seeks to bring out one’s innate concentration and imagination.
Thoughts expressed by Brian Eno.
A sense of beauty fostered by Japanese environmental music.
The tranquility that Apple and Muji incorporated into their space design.
A relaxing time provided by a luxury hotel.
An environment where people working in technology companies can concentrate.
They are not separate events.
This leads to a common question: ““What is a space where people can think comfortably?’’
Ambient music is not just music for special people.
when working.
when reading a book.
When thinking.
Or when you want some quiet time at the end of the day.
It is music that anyone living in modern times can benefit from.
In the future, where information continues to increase, its value will continue to increase.
Quiet music is not what is needed. Time itself, when we can live quietly, has become the most precious resource in modern times.
Chronology
| Years | Events |
|---|---|
| Around 1917 | Erik Satie presents his concept of “Furniture Music” |
| 1952 | Premiere of John Cage’s 4 minutes 33 seconds |
| 1960s | Minimal music develops |
| 1978 | Brian Eno releases “Music for Airports” |
| 1980s | Ambient music spreads in Japan |
| 1982 | Hiroshi Yoshimura “Music for Nine Post Cards” announced |
| 1980s | Haruomi Hosono explores new possibilities of environmental music and electronic music |
| 2000s | Minimal design and quiet space design spread worldwide |
| Late 2010s | Japanese environmental music is reevaluated overseas |
| 2020s | Playlists for concentration, sleep, and meditation are popular on streaming services |
Expansion of culture surrounding ambient music
Relationship between modern society and ambient music
Conclusion
Ambient music is not just experimental music enjoyed by a few enthusiasts.
It has evolved into architecture, design, technology, wellness, and a culture that quietly supports modern people’s lives.
If the 20th century was an era of increasing sounds, then the 21st century could be called an era of choosing sounds.
What we really want is not new stimulation.
It’s a quiet time to think, rest, and face yourself.
Ambient music will continue to play in people’s lives around the world as music that enriches our time.
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